Today's post is by Helene Cæcilie Mørck, co-written with her fellow authors, in which they address their latest article, For a Choreography of Emotions: Spatiotemporal Phenomenology , published in Psychopathology on July 28, 2025. Helene Cæcilie Mørck Helene Cæcilie Mørck I draw on my twenty years as a choreographer, as well as my lifelong lived experience with altered states related to schizophrenia. During several hospitalizations for psychosis, I found that my training and embodied knowledge as a dancer and choreographer provided me with methods to navigate the emotional chaos I was experiencing. I developed an inner choreographic map, using my embodied knowledge to structure the emotional turmoil and altered states I experienced. In close collaboration with Giovanni and Veronica, we have been translating this knowledge and deconstructing the language of dance and choreography into practical tools that potentially could be used to test the Chore...
This post is by Annalisa Coliva , Chancellor of Philosophy at the University of California, Irvine, and editor-in-chief of the Journal for the History of Analytic Philosophy . What does it mean to be a woman? Philosophers, feminists, and activists have debated this for decades, often clashing over whether “woman” should be defined biologically, socially, or politically. In recent work (Coliva 2024), I have argued that we should instead think of woman as a family resemblance concept—a flexible, open-ended framework that avoids the pitfalls of rigid definitions and better accounts for inclusivity, particularly for trans women. A family resemblance account rejects the idea that woman must be tied to strict, necessary, and sufficient conditions. Instead, it allows for overlapping similarities and “intermediate links.” Just as Wittgenstein described the concept of game—where tennis, solitaire, and playing with dolls share different but overlapping traits— woman can include diverse ca...