Currently on display at Birmingham Museum & Art Gallery is Christopher Samuel's Watch Us Lead . The exhibition explores themes of stigma, belonging and agency while encouraging conversations about under-representation, autonomy and the lived experience of disability. In this post, Kate Lynch reflects on the exhibition and the role museums can play in shaping whose stories are heard. One of the first works to catch the eye in this exhibition is a large stained glass panel. Stained glass is often associated with churches and public acts of remembrance, making it an especially powerful medium for an exhibition about stories that have been overlooked. Pray For Me by Christopher Samuel Elsewhere, visitors encounter a series of portraits, each accompanied by a quotation and the opportunity to hear more. The stories touch on healthcare, education, employment, identity and family life, exploring not only the experience of stigma but also the ways participants have asserted their own ...
This week's post is by Benedetta Cogo from the University of Wollongong. Her interests lie in mental disorders and rationality and in narrative practices in mental health. Benedetta is the author of “ Making Room for Narrative Practices in Mental Health ” (published in Topoi), coauthored with Daniel Hutto. Benedetta Cogo This post is about rationality, persons, and mental disorders. Intuitively, these three terms seem to be interconnected, yet there is no obvious or innocent way to establish that persons are rational, that mental disorders are irrational, that mental disorders affect persons (and not, say, their brains). For example, let’s consider this question: are symptoms of mental disorders distorted forms of rationality – coherent and reason-responsive in their own, often very idiosyncratic, way? Or are they entirely unintelligible through the lens of rationality? I like to think that the answer is “both” – and hopefully, at the end of this post, you’ll see why. So where do ...