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Glenn Carruthers photographed by Patrick Wilken |
The discovery of the illusion gave us a way to experiment on this kind of experience. We also like the illusion because it involves, as we will see, the use of information from various different senses to produce a representation of a single object. It thus gives us another way of experimenting with how the senses interact. More than this it gives us a way to experimentally manipulate an aspect of self-consciousness which I call āthe sense of embodimentā. Others call this, misleadingly I have argued, āthe sense of ownershipā. Here it doesn't really matter what we call it, what matters is that it is the experience of a body part (or anything else for that matter) being a part of oneself.
To experience the illusion, in its simplest form, you sit with one hand on a table, e.g. your left, and behind a screen so you can't see it. A prosthetic hand is placed in front of you, in a place where you could get your left hand. An experimenter then strokes your left hand in synchrony with the prosthetic, while you watch the prosthetic. After a few seconds to minutes most of you (around about 80%) will come to experience the touch as if it's coming from the rubber hand and experience the rubber hand as if it where your own. More precisely subject's give increased agree ratings to questionnaire items like āIt felt the rubber hand was my own handā than when the seen and felt stroking is asynchronous. In contrast control questions like āit felt like I had two handsā don't change between these conditions.
If we can work out how this illusion occurs it will help us understand the sense of embodiment, which is the bit I'm particularly interested in. So, why might you feel a sense of embodiment for the rubber hand in this, and similar, set ups? Previously I have suggested that the synchrony of the stimulus to the real and rubber hand causes the rubber hand to be represented in a manner sufficiently similar to the real hand that it has some of the same effects on processing as a representation of the real hand can have. In essence the representation of the rubber hand is enough like a representation of a real hand that it can play a similar role in your mind. Put more intuitively (and to treat things a little too much in terms of absolutes) the rubber hand is mistaken for a real hand and so you think about it in similar ways ā including eliciting a sense of embodiment in it.
You'll hear more about the rubber hand illusion in my second post next week.