Imperfect Cognitions

In this post, I reflect on what makes Mirabel, the leading character in the latest Disney movie, an unlikely hero. On the surface, Encanto is the usual underdog story: in a family of exceptional people, blessed with magic and superhero powers, Mirabel has no special gift and is an embarrassment in the eyes of her grandmother and her much more accomplished sister Isabela. However, it is Mirabel, with the help of another outcast, her uncle Bruno, who will save the day. To me, Encanto is about what it means to live in a society that does not acknowledge the patient, exhausting, and yet often invisible labour required in any sort of close-knit community--and often carried out by women. The weight of expectations suffocates the individuality of the members of the Madrigal family and takes the joy out of their lives. Such expectations are driven by labels that, once attached, are stuck to their owners: the strong and dependable Luisa; the “golden child”, perfect Isabela; the “weir...

In this post I reflect on what the Disney film Frozen can tell us about youth mental health. (This is a slightly expanded version of a post that appeared on the University of Birmingham website on 16th December 2019.) When it was released in 2013, Frozen was praised for having a leading female character who was different: a guest at Elsa’s coronation calls her a monster when she loses control; Elsa isolates herself from the people she loves for fear of harming them; and she is distressed because she does not fully comprehend what is happening to her. Elsa does not ‘fit in’, and often makes those around her feel uncomfortable. When Elsa celebrates her liberation from her stuffy conventional life with the song “Let it go”, some critics talked about Disney’s ‘gay agenda’ and Elsa was welcomed in some circles as a queer icon. Some were hoping that she would get a girlfriend in Frozen II . But there is another form of diversity that Elsa embodies just as convincingly, that...