From reading literature from cultural studies, media studies, and human computer interaction, followed by lots of informal conversations and, finally, a series of research interviews, it became clear to me that photography is an eccentric enterprise, and its relationship to how we remember our lives is highly complex. My research paints a very different picture from many cognitive psychology studies, where participants are, for example, shown a photograph (often, one that they have not taken themselves) and asked to recall something specific (e.g. a story or an event or a detail).
Controlled studies are often aimed at understanding the underlying mechanisms of memory or the effects of an intervention (e.g. using a photograph as a cue) on recall or recognition. I came to realise that photographs are not simply cues, and remembering with photography is not just looking at a photograph and then remembering. Practices of photography (taking photos, looking at them, organising them, sharing them with others) and the meanings we associate with our pictures are an integral part of the process of remembering.